In her work the artist takes a stance against a certain type of hegemonic knowledge and the oppressions that it produces, but which do not derive from a morality, but rather from the tortuous, “failed” and indecisive appearance of volumes and materials. We also find older works

by Sara Ramo that, she has continuously cut and rearranged, thereby generating an economy that takes advantage of her previous works. The artist states:

“And everything fits. The exclusion of the trash that has been generated is not necessary. It is a vital matter to make them our own. Mine and yours: resistant generators. This metamorphosis will be endorsed by the tension between what lives and dies, all included, and also what suffers and causes suffering. The invented things, the secret mythologies of the worlds to be opened, will each time be a new beginning, in a circle. So; without any conclusion. There are fake rocks, slippers, dried excrement, curtains on the windows, a glove, a sweet wrapper, cardboard. It doesn›t matter, everything is material and alive”. (Sara Ramo)

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